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    Odin schleswig

    odin schleswig

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    The Vandals , ruled by Ambri and Assi , came to the Winnili with their army and demanded that they pay them tribute or prepare for war. Ybor, Agio, and their mother Gambara rejected their demands for tribute.

    Ambra and Assi then asked the god Godan for victory over the Winnili, to which Godan responded in the longer version in the Origo: Frea counseled them that "at sunrise the Winnil[i] should come, and that their women, with their hair let down around the face in the likeness of a beard should also come with their husbands".

    Godan saw the Winnili, including their whiskered women, and asked "who are those Long-beards? Godan did so, "so that they should defend themselves according to his counsel and obtain the victory".

    Thenceforth the Winnili were known as the Langobards Langobardic "long-beards". A 10th-century manuscript found in what is now Merseburg , Germany, features an invocation known as the Second Merseburg Incantation.

    The incantation calls upon various continental Germanic gods, including Old High German Frija and a goddess associated with her— Volla , to assist in healing a horse:.

    In the first mention, the poem recounts that Frigg wept for the death of her son Baldr in Fensalir. However, wind drove them out into the ocean and, during the darkness of night, their boat wrecked.

    The brothers went ashore and there they met a crofter. They stayed on the croft for one winter. During that winter, the couple separately fostered the two children: Upon the arrival of spring, the old man brought them a ship.

    The boys entered the boat and a breeze came. The boat returned to the harbor of their father. He "became a splendid man". Odin replied that this was a great untruth and so the two made a wager.

    These gods and goddesses include Odin and, "his wife", Frigg. Frigg is mentioned throughout the Poetic Edda , compiled in the 13th century by Snorri Sturluson.

    Frigg is first mentioned in the Prose Edda Prologue Prose Edda , wherein a euhemerized account of the Norse gods is provided. The author describes Frigg as the wife of Odin, and, in a case of folk etymology , the author attempts to associate the name Frigg with the Latin-influenced form Frigida.

    High says that "highest" among them is Frigg and that only Freyja "is highest in rank next to her". Frigg dwells in Fensalir "and it is very splendid".

    According to High, Baldr once started to have dreams indicating that his life was in danger. Frigg subsequently receives promises from the elements, the environment, diseases, animals, and stones, amongst other things.

    However, Loki discovers this and is not pleased by this turn of events, so, in the form of a woman, he goes to Frigg in Fensalir.

    Frigg explains that "Weapons and wood will not hurt Baldr. I have received oaths from them all. It is called mistletoe.

    It seemed young to me to demand the oath from. To the horror of the assembled gods, the mistletoe goes directly through Baldr, killing him. Standing in horror and shock, the gods are initially only able to weep due to their grief.

    Meanwhile, Baldr is given a grand funeral attended by many beings—foremost mentioned of which are his mother and father, Frigg and Odin. During the funeral, Nanna dies of grief and is placed in the funeral pyre with Baldr, her dead husband.

    In Ynglinga saga , the first book of Heimskringla , a Euhemerized account of the origin of the gods is provided. Frigg is mentioned once.

    However, a short while afterwards, [Odin] returned and took possession of his wife again. It is said that Frigg heard their prayers and told Odin what they asked".

    A 12th century depiction of a cloaked but otherwise nude woman riding a large cat appears on a wall in the Schleswig Cathedral in Schleswig-Holstein , Northern Germany.

    Beside her is similarly a cloaked yet otherwise nude woman riding a distaff. Due to iconographic similarities to the literary record, these figures have been theorized as depictions of Freyja and Frigg respectively.

    Due to numerous similarities, some scholars have proposed that the Old Norse goddesses Frigg and Freyja descend from a common entity from the Proto-Germanic period.

    Similar proof for the existence of a common Germanic goddess from which Freyja descends does not exist, but scholars have commented that this may simply be due to the scarcity of evidence outside of the North Germanic record.

    Frigg is referenced in art and literature into the modern period. Other examples include fine art works by K. Thoma Fricka , drawing, date not provided.

    The Finnish folk band Frigg takes its name from the deity. She got dressed and went to Odin. She told Odin of the malice he had allowed against her and of the theft of her necklace, and that he should give her back her jewelry.

    Odin said that, given how she obtained it, she would never get it back. That is, with one exception: And that this must go on eternally, unless a Christian man of a particular stature goes into the battle and smites them, only then will they stay dead.

    Although the Christianization of Scandinavia sought to demonize the native gods, belief and reverence in the gods, including Freyja, remained into the modern period and melded into Scandinavian folklore.

    However, Freyja did not disappear. In Iceland, Freyja was called upon for assistance by way of Icelandic magical staves as late as the 18th century, and as late as the 19th century, Freyja is recorded as retaining elements of her role as a fertility goddess among rural Swedes.

    However, it was dangerous to leave the plough outdoors, because if Freyja sat on it, it would no longer be of any use.

    Olsen tallies at least 20 to 30 location names compounded with Freyja. These toponyms are attested most commonly on the west coast though a high frequency is found in the southeast.

    Place names containing Freyja are yet more numerous and varied in Sweden, where they are widely distributed. In addition, Frejya appears as a compound element with a variety of words for geographic features such as fields, meadows, lakes, and natural objects such as rocks.

    A priestess was buried c. In addition to being buried with her wand , she had received great riches which included horses, a wagon and an Arabian bronze pitcher.

    There was also a silver pendant, which represents a woman with a broad necklace around her neck. The pendant may represent Freyja herself.

    A 7th-century phalara found in a "warrior grave" in what is now Eschwege in northwestern Germany features a female figure with two large braids flanked by two "cat-like" beings and holding a staff-like object.

    This figure has been interpreted as Freyja. A 12th century depiction of a cloaked but otherwise nude woman riding a large cat appears on a wall in the Schleswig Cathedral in Schleswig-Holstein , Northern Germany.

    Beside her is similarly a cloaked yet otherwise nude woman riding a distaff. Due to iconographic similarities to the literary record, these figures have been theorized as depictions of Freyja and Frigg respectively.

    Due to numerous similarities, scholars have frequently connected Freyja with the goddess Frigg. The connection with Frigg and question of possible earlier identification of Freyja with Frigg in the Proto-Germanic period Frigg and Freyja origin hypothesis remains a matter of scholarly discourse.

    The best that can be done is to survey the arguments for and against their identity, and to see how well each can be supported.

    Similar proof for the existence of a common Germanic goddess from which Freyja descends does not exist, but scholars have commented that this may simply be due to lack of evidence.

    Gustav Neckel , writing in , connects Freyja to the Phrygian goddess Cybele. According to Neckel, both goddesses can be interpreted as "fertility goddesses" and other potential resemblances have been noted.

    These observations became an extremely common observation in works regarding Old Norse religion until at least the early s. Into the modern period, Freyja was treated as a Scandinavian counterpart to the Roman Venus in, for example, Swedish literature, where the goddess may be associated with romantic love or, conversely, simply as a synonym for "lust and potency".

    In late 19th century and early 20th century Northern Europe, Freyja was the subject of numerous works of art, including Freyja by H.

    Doyle Penrose painting, — Starting in the early s, derivatives of Freyja began to appear as a given name for girls.

    From Wikipedia, the free encyclopedia. For other uses, see Freyja disambiguation. Bellows, Henry Adams Trans. Davidson, Hilda Ellis Roles of the Northern Goddess.

    Dobat, Siegfried Andres Viking Age functional culture as a reflection of the belief in divine intervention". Vendel Period Bracteates on Gotland.

    In Billington, Sandra; Green, Miranda. The Concept of the Goddess. Hollander, Lee Milton Trans. History of the Kings of Norway. University of Texas Press.

    Jones, Prudence; Pennick, Nigel A History of Pagan Europe. The Collected Works of William Morris: Longmans Green and Company.

    Freyja — the Great Goddess of the North. Comparative Studies in History of Religions: Their Aim, Scope and Validity. Dictionary of Norse Myth and Legend.

    A Handbook of Germanic Etymology. The Sagas of Icelanders. Dictionary of Northern Mythology. The Elder Edda of Saemund Sigfusson.

    Myth and Religion of the North: The Religion of Ancient Scandinavia. Holt, Rinehart and Winston. Death in Germanic mythology and paganism.

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